RCF TTL+ 55A Top

Thespaces. TTL55-A is a high power, three way, active line array module engineered to deliver an incredible output for use in indoor or outdoor large spaces. The system is designed to be easily scalable from few modules for medium and small theatres to full size arrays for very large outdoor stadia and public Tour grade cabinet and mechanics 3500 Watt, 4 way amplification 6 x high power neodymium transducers High quality analog input board 96 kHz, 32 bit DSP processing Remote monitoring and control Maximum output per size on the market RDNet on board

RCF TTL+ 56A Subs

2 x 3400 W digital amplifiers 2 x 21" high power neodymium woofers 96 kHz, 32 bit DSP processing Remote monitoring and control Time delay alignment Cardioid preset for groups Tour grade cabinet RDNet on board Maximum output per size on market

RCF HDL-20 Top

2x 10" RCF Woofer with 2.5" VC 2" RCF Driver with 3" VC Digital bi-amped incl. DSP 1400 W/ PRG 700 W/ RMS Max SPL: thomann 135 dB 55 Hz - 20 kHz (+ -3dB) X-Over @ 1000 Hz 100° x 15° (per module) Angle adjustable between 0° and 15° in 2° increments Cluster size and treble correction switchable Tripod adapter and optional rigging frame Dimensions: 294 x 705 x 445mm

RCF 905 Subs

2000 Watt Peak, 1000 Watt RMS digital amplifier 131 dB max spl 15" woofer, high power 3" copper coil Xover 80-120 Hz switch, phase switch Mono / Stereo combo xlr / jack input PFC power factor correction

VMax - V45 Top

RCF V45 top is veryHigh power, Two-way bass reflex full range system 2 x 15" high power, 4" voice coil hypervented woofers 1 x 4" high power titanium neo compression driver 137 dB max SPL 1800 Watt AES Very high output, response down to 40 Hz Birch plywood cabinet Weather resistant, textured, polyurea finish Epoxy powder coated front grille

Yamaha LS9-32

Massive Digital Mixing Power Made for portable live sound, Yamaha Commercial Audio LS9 consoles pack a staggering amount of production power in a surprisingly simple and perfectly portable package. This 64-channel LS9-32, with its extended fader bank and 32 mic/line inputs, weighs under 43 lbs., and its little brother, the 32-channel LS9-16, only weighs about 27 lbs. And when you consider the ample routing options, multimode faders, extensive onboard processing, and remote-control options below its refreshingly intuitive interface, you'll never look at sound reinforcement the same way again.

Venue SC-48

Fully integrated console offers built-in I/O for stage and ancillary sources, DSP, and tactile control for ultimate portability First-rate VENUE sound quality provides amazing audio clarity in any room Pro Tools FireWire interface and software included for audio recording and playback system connection VENUE D-Show software, the industry's easiest, most comprehensive control software 48 analog mic/line XLR inputs, 16 analog line outputs (expandable to 32) Single expansion slot for maximizing output count or adding A-Net connectivity 16 Aux Sends, 8 Groups, plus 8 mono matrixes (linkable as up to 4 stereo matrixes) Choice of Left-Right plus Mono or Left-Center-Right Mains bus configuration 26 touch-sensitive, motorized faders: 16 input, 8 output master, 1 Flex Channel, and 1 Mains 16 assignable,Additional I/O, including talkback, analog and digital 2-track, GPI, MIDI, and Word Clock

DIgico SD-9

96 Input Channels 48 Aux / Sub-Group Busses LR/LCR Master Bus 12 x 8 Full Processing Matrix 2 Solo 155 Dynamic Equalizers 155 DiGiTuBes 155 Multiband Compressors 12 Digital FX 16 Graphic Equalizers Optional Waves Integration 48/96kHz Sample Rate

Soundcraft MFXI 24 Channel Mixer

Built-in Lexicon 24-bit effects Precision GB30 mic pre-amps True, professional +48V phantom power for condenser microphones 2 Group busses Stereo Mix output 8, 12 or 20 mono Mic inputs, all with 2 stereo line inputs Up to 28 inputs to mix Aux sends, globally switchable pre or post-fade FX send Universal internal power supply Optional rack ears (standard on 12 channel consoles)

Allen & heath GL2800 32 channel mixer

24, 32, 40 and 48 channel frames LR and M main mixes 8 Audio groups with pan and routing to LR and M 10 Auxes including a dedicated stereo send 2 multifunction stereo channels each with mic and stereo line inputs 2 extra dual stereos provide 4 summed or independent stereo returns Fully featured 12×4 Matrix Proper dual functionality for FoH/Monitor mixing Recording capable with channel direct outputs M can be used for centre/sub mix, LR mono sum, or engineers wedge Matrix external inputs with level trims and common input capability Stereo channel mic inputs can cross patch into matrix for ambience feed Responsive 4 band, 2 sweep EQ Individual phantom power and polarity switching Per channel pre/post fader aux switching for full flexibility Recessed pre/post-EQ aux switching per channel Assignable talkback to all outputs, includes a talk switch latch mode 1kHz oscillator / pink noise generator with patchable external output 2-track monitoring and replay to LR 3 headphones/earpiece sockets and local monitor outputs


1600 Watt 50 x 90° Coverage Differential Driver Can Be Bi-amped


136 dB peak SPL 15" Differential Drive® low-frequency driver for low-distortion and higher SPL 1.5" diameter next generation JBL neodymium compression driver JBL designed waveguide for accurate coverage Efficient Class-D amplifier technology Optimized EQ for monitor or front-of-house applications DSP input section, crossover, dynamic limiting, component optimization, selectable system EQ Line level and direct microphone input capability Professional XLR-1/4" combination inputs, RCA inputs, and XLR loop-through Multi-angle enclosure for main PA or floor monitor applications Integrated 36 mm pole mount socket with angle down tilt Injection molded handle with backing cup for easy transport Integrated M10 suspension points for easy setup

Macky SRM450

1,000-watt Class D and AB power amps with 12" high-output LF driver and 1.4" titanium dome compression driver Precision 2-way crossover, driver alignment and phase correction Onboard feedback destroyer 2-channel mixer features XLR/TRS combination jacks and stereo RCA inputs Smart Protect DSP component protection Use for mains or stage monitoring Lightweight

JBL Evon 515 Monitors

Manufacturer: JBL Model: EON 515 Series: EON 500 Category: Powered PA Speaker Cabinets

Shure UR- 4D

22.1 pounds Product Dimensions 17.8 x 6.4 x 23.3 inches Shipping Weight 22.1 pounds (View shipping rates and policies) ASIN B006GGBQL4 Item model number UR124D+/SM58-G1 Customer Reviews Be the first to review this item 0.0 out of 5 stars

Sennheiser 2000 series wireless

HDX noise reduction system keeps signal-to-noise ratio less than 120 dB(A) Auto-lock feature to prevent setting changes from accidentally pressing buttons on handheld and bodypack transmitters Enhanced audio frequency response in the bass range for optimum transmission from bass guitars on the bodypack transmitter Audio and RF mute features for muting the transmitters Soundcheck feature checks the reception area for strength gaps that cannot be compensated for by the diversity system Input sensitivity above 60 dB can be set in 3 dB steps on bodypack transmitter 4 selectable equalizer presets on receiver

Shure Digital SLX

Unidirectional dynamic cardioid mic 50 to 15,000 Hz frequency response Legendary Shure quality, ruggedness and reliability SLX2 Handheld Transmitter

Shure SM58 Wireless

Unidirectional dynamic cardioid mic 50 to 15,000 Hz frequency response Legendary Shure quality, ruggedness and reliability SLX2 Handheld Transmitter

Sennheiser e945 series

The E945 features a professional condenser element with a supercardioid polar pattern Sturdy metal housing (transmitter and receiver) 42 MHz bandwidth: 1680 tunable UHF frequencies for interference-free reception Enhanced frequency bank system with up to 32 compatible frequencies Ethernet port for connecting to the Wireless Systems Manager (WSM) software for control via computer - this delivers a good overview of monitoring and High-quality true diversity reception Pilot tone squelch for eliminating RF interference when transmitter is turned off Automatic frequency scan feature searches for available frequencies Enhanced AF frequency range Increased range for audio sensitivity Wireless synchronization of transmitter parameter from receiver User-friendly menu operation with more control options Illuminated graphic display, receiver also shows transmitter settings Auto-Lock function avoids accidental changing of settings

Sennheiser 900 series Drum Kit

Every detail counts for perfect live sound. Take the evolution wired 900 series: conceived of as a harmonically calibrated family, these high-end microphones combine demanding sound with unmatched reliability. Uncompromising stage equipment for uncompromising professionals.

Audix DP7 Drum Kit

1 x i5 snare mic: works for snare (top or bottom), toms, hand percussion, guitar cabs, acoustic instruments. Features a protective steel grill, is easy to set up and use, with a clean accurate sound. Dynamic VLM Type B transducer (transformerless). 46Hz - 18kHz frequency response. Cardioid polar pattern, 2 x D2 tom mic: works for rack toms, floor tom, congas. Features a slight mid-bass boost, excellent transient response, and big sound. Dynamic VLM Type B transducer (transformerless). 44Hz - 18kHz frequency response. Hypercardioid polar pattern, 250Î output, 2.5 mV open circuit sensitivity. No power requirements, maximum SPL of 144dB, off-axis rejection of >30dB. Machined aluminum housing with black hard coat. 4.5oz./128 grams. 1 x D4 kick / floor tom mic: works for floor tom, djembe. Features extended low end for larger drums, accurate frequency response, natural sound. Dynamic VLM Type D transducer (transformerless). 38Hz - 19kHz frequency response. Hypercardioid polar pattern, 200Î output, 2.1 mV open circuit sensitivity. No power requirements, maximum SPL of 144dB, off-axis rejection of >30dB. Machined aluminum housing with black hard coat. 4.5oz./128 gr 2 x ADX51 - condenser (overhead) mic: works for overheads, cymbals, hi-hat, goodie table.

Bass Guitar Amp Hartke

The XL Series provides the highest performance at every level. Each cabinet is carefully calibrated and tuned to give you a smooth, balanced response along with an articulate, high-impact attack. Equipped with custom Hartke XL aluminum-cone drivers for maximum response, the Hartke 4.5 XL also features high-quality 3/4 in. + 5/8 in. composite plywood construction and a shockproof metal grille. These high-quality cabinets come equipped with a rugged, road-tough covering, interlocking stacking corners, and recessed input jacks to safeguard critical cable connections.

Sennheiser G3 In ear

Hear better, perform better. Sennheiser monitoring systems are trusted by professionals worldwide and now are better than ever. Featuring an adaptive-diversity receiver, the receiver pack uses the headphone cable as a secondary antenna for flawless reception. Ear-canal phones, with various ear-fitting pads for an individual fit, reproduce the signal from the adaptive diversity receiver precisely and faithfully. Pass-through outputs allow easy splitting of the input signal to travel to other devices. Lastly, the entire set can be monitored and remotely controlled with Sennheiser's "Wireless Systems Manager" software due to the built-in Ethernet port on the stereo transmitter.

Fender Twin Reverb

The '65 Twin Reverb is an authentic reproduction of the original amp to ride the wild surf, one of the all-time "Hall Of Fame" amplifiers. Clean as you want it to be, with a fatter tone than the butcher's dog.

Boom Stand

Boom Stand for Table mic and Podium Mic

High Quality Mic Stand

High Quality Mic Stand for all equipment's Mic

Single Keyboard Stand

Heavy Keyboard stand for any type of Keyboard

Notation Stand

Heavy Duty Notation Stand for Note book and Laptop

Keyboard stand

Keyboard Stand..........The On Stage Keyboard Stand is perfect for musicians who just want things strong, simple and affordable. On Stage continues to offer this basic Single-X stand with its classic bullet-nose pull knob. And it's tough, too, holding up to 130 lbs. The adjustable rubber arm sleeves can be positioned to fit virtually any keyboard width.

Professional Sharpy 10R

10R BEAM (280W) Performance : Input Voltage : AC100 - 240V 50/60Hz Power : 400W Lamp : 15R 280W CCT : 8000K Life Time : 2000Hrs Control : DMX512 DMX Channels :16CH Pan & Tilt : Pan : 540° (16 Bit) Tilt : 270° (16 Bit) Color Wheel : 14 Colours + White Gobo Wheel : 17 Gobo + White Effect Wheel : 8 - Facet Rotating Prism + Frost + Shake Strobe : 0 - 13 f/s, Random Or Pulse Flash,Speed Adjutable,Strobe Macro Function Dimmer : 0% - 100% Linear Light Dimmering Display : LCD Digital Display Work Environment : 0 - 40°C IP Rate : IP20 N.W. : 19Kg G.W. : 21.6Kg Size : 47.5 x 41.5 x 56 Cm

Professional Shapy 5R

Lamp : Philips MSD Platinum 5R Lamp Control : On/Off Controled By Controller Colour Temperature : 8000K Power : AC100-240V 50/60HZ 315W, Electronic Ballast & Power Supply Color Wheel : 14 Color With White Gobo Wheel : 12 Rotating Gobo With White Brightness : 138500 Lux at 10M Gobo Diameter 480mm Prism : Prism Effect Focus : Linear Focus Zoom : 2.8°/3.4°, Tilt: 270° Size : L: 320mm W: 310mm H:525mm N.W.:12.5Kgs Install 4 Pairs Of 1/4 Turn Locks

Avolites pearl 2010

Professional Lighting Control


Blue backlit *LCD reporting *Chinese/English interface *DMX-512(1990) input signal; *16 bit fade accuracy for smooth dimming *Aluminum die-casting for light weight design *Soft DMX patch is available *Fast, normal and slow response time *20 backup cues, run both manually and automatically; *Status selectable when no DMX signal *Independent curves for channels as linear, s-curve, extraction,square and user-defined curves *Smart cosmetic in compact size *Over load and neutral-lost warning system force to limit output *Each dimmer output can be set as range of 110 to 250VAC. *3X10A, 32A, 40A rear available

Follow Spot 2500 watt

Technical specifications: Applying New Type Aluminum Allow And Casting Steel Plate Design. Two Colour Wheels,Achieving Over 20 Colors. Rainbow Effect. # Electronic Linear Infinite Adjustment. # Strobe Effect,Light Adjusting Intergration Design. # Colour Temperature Effect. # The Lamp Beam Angle Reaches 15° With The Jetting Distance 30m. # Key And Push Pull Switch Intergration,Easily Use. # When Using Online Service,Achieving Synchronous Changes Through # Main Controller Or Connecting The DMX512 Controlling Table So As To Avoid The Inconvenience Caused By Operator Communication. # 3 Convection Cooling Fan Optimize Internal Air Duct Way,Heat Elimination Rapidly. # Controlling 4 Channels. # Compatible With DMX512 International Digital Signal
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